Monday, 29 August 2011

Fake Country Song...


Earlier today, I decided that "My Glass is Half Full (Of You)" would be a great name for a country song. This afternoon I felt that I had a moral compulsion to write this song...

They say that this world can be trying

That it’s all just thieving and lying

My brother sees this, and he’s at a loose end

He says he that he just can’t comprehend

How it is that I smile all day through

It’s ‘cause my glass is half full of you

Yeah, my dog is dead

Got no roof o’er my head,

But my glass is half full of you


They say that it’s hard to be a woman

Giving all your love to just one man

And every single day, you say that I ain’t got a clue

Why it is that you’re feeling quite so blue

But darling, what else can I do

When my glass is half full of you?

Yeah, my dog is dead

Got no roof o’er my head,

But my glass is half full of you





May the gods of song forgive me...

Thursday, 25 August 2011

Sweet Dreams...


I tend to listen to music or the radio as I am attempting to go to sleep. I know that, on one level, this is counter intuitive. That it probably stops me from getting to sleep. That I should really just close my eyes and let sleep steal over me. And I do this whenever I can. It's a good feeling.

The problem is that, most of the time, it doesn't work like this. My brain starts shouting at me instead. Frequently, just when I feel like I might be near dropping off, it will throw some long forgotten memory my way, to remind me of my own inadequacies. Something deeply embarrassing that has happened to me during my life. Or something unpleasant or painful. Like some little homunculus pointing out mental scars and shouting "Remember this one! Wow! You were a complete dick!" And it will often continue as long as it can, undermining my confidence and waiting for my sanity and self-esteem to collapse entirely.

Last night was an odd one. It began with a memory from when I was very young. I was with my parents, who were themselves doing a scavenger hunt organised by a pub in Bickleigh (the village where I went to primary school). I was probably somewhere between five and eight years old, I guess. One of the items on the scavenger hunt list was, perhaps oddly, a snail. My parents had given me the snail to look after, as I was fascinated by creepy crawlies of all kinds when I was a wee 'un. I remember, when we got back to the pub, I had the snail on my hand. It was just crawling about, like snails do. I showed it to another boy (of whom I have forgotten the name), the son of some of my parents friends. It's fair to say that he wasn't quite such a fan of invertebrates as I was. I know this because, upon seeing my snail friend, he slammed his hand down upon it, crushing it. So I now had a dead snail smeared across my hand. Which was deeply upsetting as, in our short time together, I had developed an attachment to the slimy little thing. And nobody likes having snail innards on them anyway. So I cried like the tiny child I was, and ran back to my parents.

No idea why that memory has stuck with me so, or why it should return in the dead of night like it did. But, regardless, it is not a feeling you want to lie there reliving as you try to sleep. The feelings of sadness, shock, powerlessness, guilt and inadequacy. So I decided to listen to an episode of Yes Minister on iPlayer. At which point I fell to sleep.

Tuesday, 9 August 2011

What Will You Do?

Song. Ultra-twee as a form of self-defense against the world...

What did you do this morning?
What did you do when you woke up?
What did you do this afternoon in the sunshine?

What did you do when he told you?
What did you do when you found out?
What did you do, did you ask her name?

Don't lose sight of the big picture,
Don't lose sight of how things could be,
Don't lose sight of who you are,
'Cause you're something else,

Something different,
Something good.

What did you do come the evening?
What did you do when you got home?
Did you still make tea for two tonight?

What did you do come the night time?
What did you do under starlight?
What did you do, did you sleep alone tonight?

And don't lose sight of the hard times,
Every time he made you cry.
And don't lose sight of the good times,
Every time he made you smile.

'Cause I know,
'Cause I know you're strong.

What will you do?
What will you do?
What will you do?

Saturday, 23 July 2011

...

To believe that an idea is more important than your own life can be noble, stupid or some combination of the two. But I find it hard to imagine a situation in which believing that an idea is more important than somebody else's life is ever anything better than arrogance and inhumanity.

Wednesday, 13 July 2011

Thinking 'Bout History


The reality is that we are never alone. It is not necessary that other people who differ materially from us are there, because we always bring with us and always bear in us a lot of people. - Maurice Halbwachs, La mémoire collective


It sometimes makes me sad to think that so much of that which has passed remains mute because nobody deemed it important enough to preserve. Mostly this occurs on the level of the individual. The ripples just die out, unless we've really made a splash. I realise that it is important that things are forgotten, and that some things are more important to remember than others. The things that are most well documented are those that effect or implicate the largest number of people. As we scale down, the effort that goes into documenting groups and collectives also scales down, and different groups have different ways of preserving the past, many of which will not be understood by outsiders. The things in life that cut to the core of our collective identity (family, society and humanity) are the things we need to hold on to, so that we remember who we are, and don't forget that we're in this together. And our sense of self as individuals is grounded upon the identity of those with whom we belong, whether we were born into that group or found it later on. In that regard, they are more important than the life of any individual, and it is understandable that we document them most thoroughly.

Maybe the Internet is changing things. Preserving everything at the expense of understanding why anything is all that important in the first place. Which is a worrying thought. Only time will tell, I suppose. They probably said the same thing about the printing press.

Forgetting is important. But it would be a shame if we were to trivialise the forgotten individual. They were important too, even if only to a much smaller and more exclusive group (we can keep scaling down until we reach the lives lived by two individuals together, or so the Romantic in me believes). So even if we can't remember them, and that peculiar to them which is lost, I think I should probably do my best to remember what they represent and try to appreciate that aspect of my own life. Whilst I'm still splashing about.

Thursday, 23 June 2011

Dream

I'd say you broke my heart
But I'm just too literal minded
And I'm still here after all.
And most of what I know
Comes from listening to the radio
So what's a boy to do?

I do bad things to you,
But its ok, you like it.
I do bad things to you,
But its ok, if you like it.

It's all just noise without you,
But it'll make sense come the dawn
And I'd kill right now for a quiet life.
A cigarette in a darkened room,
Dream of a girl who speaks right good,,
So what's a boy to do?

I do bad things to you,
But its ok, you like it.
I do bad things to you,
But its ok, you like it,
Don't you?

Could this be the dream? Could we wake up soon?
A dream that seemed so real, like they always do.
Never wake me up, if there's a chance that this is true.
Never wake me up, oh what's a boy to do?

G, Em, D, D6
G, D, D6

Tuesday, 14 June 2011

Dignity and Pride

This morning I watched a programme called Choosing To Die.

It is a documentary fronted by Terry Pratchett, a well-publicised supporter of assisted suicide, detailing the procedures and decisions faced by people who choose to end their own lives. Pratchett, a sufferer of Alzheimer's disease, has also long insisted that when the time comes that he can no longer be an author, and no longer communicate, that he wants to die.

There are a lot of issues that this programme touches upon. It is definitely worth seeing, although I would caution that it is by no means easy to watch. The matter that I find myself thinking about most for the moment, however, is the notion of "dignity".

The arguments for the legalisation of suicide often center upon the right to "die with dignity". When somebody is suffering from an incurable disease, and one that gradually eats away at the ability of the sufferer to live their life and that will ultimately prove fatal, it is argued that it should be a human right to be able to choose when to end that life without fear of prosecution for those who may have been involved in assisting that choice. It is an argument I wholeheartedly endorse; it is insane to believe that a loving wife or husband should face conviction for allowing the person they love most to die in the way that they want.

But something that worried me when watching the documentary is whether the matter at hand was truly one of dignity, or one of pride. And there is a deeply important difference.

Dignity, according to the OED, is "The quality of being worthy or honourable; worthiness, worth, nobleness, excellence." By comparison, pride is perhaps more complex. On the one hand it is defined as "A consciousness of what befits, is due to, or is worthy of oneself or one's position; self-respect; self-esteem, esp. of a legitimate or healthy kind or degree." But on the other hand it can also mean "A high, esp. an excessively high, opinion of one's own worth or importance which gives rise to a feeling or attitude of superiority over others; inordinate self-esteem."

One definition of pride is definitely more overtly positive than the other, but what is perhaps most marked is that both rely heavily on self-perception. It is about what is right for oneself, and one's own self opinion. This stands in contrast to dignity, which is a quality that presumably we can ascribe to others. We might say that someone has dignity, even if they are unaware of it. But to say that someone is proud implies a certain state of mind in those of whom we speak.

Watching the documentary, it seemed that those who had chosen to die had often done so because they could not face losing the life they know. They couldn't face living life as an invalid, with the knowledge that it would only get worse and more painful from thereon in. I don't at all want to undermine this decision. It is not one based purely on "pride" or "vanity". The prospect of losing the ability to live one's life as one chooses, and to a certain extent one's identity in the process, is a genuinely terrifying one, and the decision to die rather than face this prospect will never be one taken lightly, nor one that anyone involved will take lightly.

But it was apparent that the loved ones of the people choosing to die in this film were, understandably, conflicted. They wanted to support the person they loved, but they didn't want to lose them. I'm trying to imagine it from the other direction; how determined does one have to be to die in order to leave behind someone you love, knowing that they will be devastated? Perhaps you think that it is preferable to having those loved ones see you die slowly and painfully? I've always felt that, even at the worst of times, we have a responsibility towards those whom our death would impact upon. It is hard to tell where the responsibility we have to ourselves sits in relation to this when faced with the degenerative disease and the decision to take one's own life.

That seems to be a contributing factor in Pratchett's way of thinking about it; he claimed that his wife wants to be able to nurse him through his disease, but that he understands better than she does what is involved in Alzheimer's disease. But it that your decision to make? Maybe it is, but at the same time there seems to a certain degree to be an element of not wanting to be seen to lose control, to not let the ones you love see you gradually stop being yourself. This was most evident when Pratchett discussed his situation with a doctor.

One has to be in a sound state of mind to be able to consent to assisted suicide. The paradox of this is that one can only choose to kill oneself before before the stage of one's disease at which would rule this out, which is often the very stage that motivates one's decision. Pratchett would prefer to die than to know that he has lost himself to his disease, before he loses his words. But to choose to die he would need to still be in possession of himself, and his ability to communicate. To choose to die, he needs to decide to do so before he is ready to die. It is the fear of what will inevitably be lost that motivates the decision to die by assisted suicide, rather than the loss itself.

It is perhaps in this regard that I feel that pride enters in to it. Palliative care for those suffering from a fatal disease is designed to protect the dignity of the patient as much as is humanly possible. If this doesn't suffice, if the thought of being nursed through to one's end is too much to face, then I suspect that this is a deeply subjective issue far more to do with "consciousness of what befits, is due to, or is worthy of oneself" than it is to do with anything else. Not that this is entirely distinct from dignity. A sense of self-worth is inherent to dignity. But is it more valuable than life itself?

I don't know. I've never been faced with such a decision. Nor have I been the primary carer for anyone who has. Those members of my family that I have seen die a gradual death marked by mental and physical decline have all been loved and cared for deeply throughout this period. Even then, it has been painful to see it happen. So I think I can understand why someone would make that decision. But the line between the self-worth inherent to dignity and pride is at best a fuzzy one. One of the definite dangers associated with assisted suicide is which side of this line any given individual falls on.

According to the programme, 21% of the people who pass through Dignitas, the assisted suicide clinic in Switzerland, choose to do so simply because they have become "weary of life". I find it hard to imagine justifying this statistic, but then I don't know the details behind these cases. I also worry that, despite Dignitas being a non-profit organisation, their services are expensive are their finances reputedly lacking transparency.

Nothing in the programme has changed my mind in principle about assisted suicide. I still think that, faced with a gradual but inevitable and painful death, it should be the right of any individual to decide when and how they die. But it is impossible to deny that as it stands the system doesn't work. People shouldn't have to fly to Switzerland to die on an industrial estate. And I worry that by placing this responsibility solely and uniquely in the hands of one organisation we perhaps make it too easy to die, that it plays in to the grey area that exists between dignity and pride. And I'm not sure this in itself is dignified.